igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)

(In memory of Steve Barton, and all dance-trained Raouls)


All around her masks nodded and wagged grotesquely, and garish costumes mocked at convention: women in clinging breeches, men in exotic robes and peacock-bright motley, capering like animals or feigning the jerky movement of automata, or simply crowding too close as the eddies of the dance caught her up and swirled her away. The Opera Populaire was dizzy with colour and music tonight, but it seemed to Christine in her growing panic that even Monsieur Reyer, conducting the orchestra with his customary meticulous precision, had begun to accelerate his beat until the masquerade took on an almost sinister frenzy from which she could not escape.

“Raoul!” They had been swept apart, and she had lost him. Masked faces leered and laughed; a dark girl whom Christine recognised from the chorus darted past in a dress that showed far too much bosom, pursued by a drunken cavalier whose teeth flashed white beneath the mask that hid his eyes. But Raoul was nowhere to be found.

Read more... )

igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)

I've been having quite a bit of trouble with getting an ending for my 'dancing at the masquerade' story — not assisted, of course, by the inconvenient fact that Christine turns out not only to dance with Raoul before their little argument (It's an engagement, not a crime!) but actually gets lifted by him at that earlier stage, which was what I'd been intending to use as the grand climax of the 'dance'.

I eventually managed to fudge the issue about all the dancing sequences shown in my part of the narrative actually being repeats of stuff they've done already, although I can't really do much at this stage about the problem of things happening in my story that don't observably happen on stage — Christine and Raoul stop dancing and argue again at least once, for instance, whereas in the musical it's just one long chorus routine. But since with the exception of the separation and reunion with which I had decided to start the story it isn't even really a narrative ballet scene, it's a bit tricky to make a coherent conversation out of it as it stands.Read more... )

igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
More plot nibbles, now actually embarked upon (thanks to an extremely boring session chopping up many pounds of windfall pears — they were either ripe and full of bug droppings, or whole, underripe and extremely hard!)

The idea of Raoul surprising Christine by being good at dancing (having been subjected to mandatory lessons as part of his aristocratic education) is one that I'd had kicking around for some time, but never developed into anything beyond a vague idea that it would have to be at the masquerade. But while Leroux-Raoul and Christine never danced together in canon, Steve Barton and Sarah Brightman were both trained dancers, so their Raoul and Christine did dance (apparently more than in the current stage show). And in the course of my hours of pear-processing I managed to come up with some associated dialogue ideas that actually go somewhere; enough to make a scene, anyway.

What I hadn't planned for at that stage was Christine spontaneously getting naughty thoughts in the middle :-p

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igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
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