igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
I've just spent most of the evening applying my twenty years' rusty Russian to an online article about the Hamburg staging of "Love Never Dies", having been tempted into it from Tumblr on glimpsing the tantalising statement "мне показалось, что она не любит Призрака" (I get the impression that Christine doesn't love the Phantom)
It's wonderful what a bit of motivation can do...

http://operaghost.ru/lnd_hamburg.htm

Yet again, independent confirmation that Raoul (whom the reviewer concludes this Christine no longer loves in the romantic sense either) comes across in LND despite the author's intentions as a far more interesting and sympathetic character in his relationship with Christine than the one-note Phantom does, and indeed that Lloyd Webber has in effect written the piece as Raoul's tragedy and not, as he supposes, as that of the Phantom. How did the composer manage to do this without noticing?



The late-coming anemone is now dying as well without ever having reached full growth, the one with the damaged stem has withered, and the others have not only failed to bloom but aren't looking all that vigorous either. I'm afraid that as house-plants (and as a gift) they were a complete and utter failure.

Date: 2016-04-30 03:17 am (UTC)
butterflydreaming: "Cris", in blocks with a blinking cat (Default)
From: [personal profile] butterflydreaming
How did the composer manage to do this without noticing?
Perhaps it's the fault of the excellent actors playing Raoul. I know that for me, it was "Why Does She Love Me" and "Devil Take the Hindmost" that pulled me into LND. Mr Y isn't enough of a villain to be interesting. Flawed Raoul has more going on to make him human, his motivations easier to understand.

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igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
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