Child of the Law (ch1)
6 February 2016 04:30 amLet's see, so far I've ended up changing Javert's address (I'd managed to pick the name of one of the roads in Paris where the barricade was built, in a feat of spectacular subconscious association), Cosette's hair colour(!) and the degree of 'leniency' shown in Javert's later cases (I really don't see him letting criminals get off scot-free, however disproportionate their crime). This is what comes of breaking the habit of a lifetime and uploading a chapter to fanfiction.net before first putting it up here and letting it sit and stew for a while... I shall be very interested to see whether anyone on FFnet notices that the location of Javert's lodgings has changed between the original chapter 1 and the upload of chapter 2!
This was obviously a considerable stylistic experiment. Having done musical-verse Eponine, I thought I'd go for the full Hugo this time as a means of summarising and compressing the narrative if nothing else (ironic as the idea of Hugo's compressing anything is...) It was originally intended as a one-shot, but it got somewhat too long for that.
In any case it was a considerable challenge to un-learn all the conventions about 'limited third-person PoV' that I'd spent the last couple of decades in perfecting and to deliberately introduce authorial moralising, head-hopping and tendentious generalisations ("she was a child, and hence she loved...") I had to keep consciously pushing the story back when it tried to turn into my standard dialogue/monologue-driven narrative: I didn't quite manage to write it without any direct speech at all, but I came pretty close.
Hugo does of course give us direct dialogue — indeed, he gives us entire chapters of stream-of-consciousness transcription where some of his more bombastic characters are concerned — but he rather tends to keep things at a distance and tell us about the characters talking rather than show the conversation through the eyes of one of the participants as a modern author would. I was aiming hard for that 'detached' feel.