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"Notorious" (1946)
After watching Hitchcock's "Notorious" for a second or possibly third time, I'm left with precisely the same impression as last time: the only sympathetic character in the film is Alex Sebastian, trapped between an overbearing mother, a much younger wife who is playing him for a fool with her American Secret Service handler, and the confederates who want to see him dead for being fool enough to fall in love with a traitress.
Of course it doesn't help that Claude Rains can act the socks off Cary Grant, and that the designated romance is between two unlikeable characters...
Of course it doesn't help that Claude Rains can act the socks off Cary Grant, and that the designated romance is between two unlikeable characters...
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Then again, Hitchcock isn't one of my favorite directors.
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It was extremely effective.
I was rather disappointed by a lot of the Hitchcock I saw subsequently, which may have been somewhat due to elevated expectations; a lot of the ones I enjoyed more were the ones regarded as 'lesser' pictures, either because they were work done for studios as a director for hire rather than a venerated 'auteur' and/or because they were shot in England. But then I wasn't all that impressed by "Blackmail" and "The Lodger", which are both regarded as classics of his silent period -- particularly not "The Lodger", where the acting just didn't seem terribly good. I have a suspicion it looks better if you don't have any other experience of silent film and just discount it as being the stagy way they did things in the olden days...
I have enjoyed some of Hitchcock, failed to be engaged by a lot of his most famous work (e.g. "Vertigo" and "The Lodger") and have been actively annoyed by some of his more Americanised output, to the degree that (as here) I ended up sympathising with the designated villain. Like Tim Burton, I don't find his name on a film to be a reliable indicator of whether I'm going to enjoy it or not.
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Rear Window is the only Hitchcock film I've enjoyed, probably due to the combination of James Stewart and Grace Kelly. Everything else has been disappointing.
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